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- Book Review: Women in Science: 50 Fearless Pioneers Who Changed the World by Rachel Ignotofsky (2016) – https://t.co/hyB7oGurRf ->
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From Ada Lovelace to Wang Zhenyi: A Celebration of Women Scientists
(Full disclosure: I received a free book for review through Blogging for Books.)
It’s made to believe
Women are the same as men;
Are you not convinced
Daughters can also be heroic?
– Wang Zhenyi
Nothing says trouble like a woman in pants.
If there’s a girl in your life who’s into science – be it astronomy, psychology, or paleontology; even just a little! we’re talking the teeniest, tiniest bit! – you need to introduce her to the work of Rachel Ignotofsky. A graphic artist/illustrator, Ignotofsky uses her art to “make learning exciting.” Her first book, Women in Science: 50 Fearless Pioneers Who Changed the World, is a mashup of her many passions: art, history, science, and feminism – namely, celebrating the many contributions (many of them overlooked by and even erased from history) women have made to their respective scientific fields. The result is a smart, inspirational book that’s both informative and lovely.
Ada Lovelace. Elizabeth Blackwell. Marie Curie. Rachel Carson. Jane Goodall. Some of the women profiled here have managed, against all odds, to claim their rightful places as household names. But have you heard of Wang Zhenyi, 18th century astronomer, mathematician, and poet? How about Mamie Pipps Clark, a psychologist and civil rights activist who, along with her husband, conducted the infamous (and devastating) Doll Experiment, thus helping to end segregation in public schools? Or Jocelyn Bell Burnell, the Irish astrophysicist who discovered pulsars at the age of 24?
As if these achievements aren’t impressive enough on their own, consider that many of these women did so even when they were barred from higher education, prohibited from publishing papers, or even expected to obey their fathers and husbands, no matter the cost. (Prior to 1974, women couldn’t apply for a line of credit; abortion was not legalized until 1973, and even today it can be difficult for low-income women to access; and marital rape wasn’t recognized as a crime federally until 1993.)
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A solid sequel with a thrilling cliffhanger.
(Full disclosure: I received a free electronic ARC for review through NetGalley. This review contains spoilers for ICE MASSACRE, the first book in the series.)
“So you’re willing to send a girl out to fight for our people,” I said, “but you’re not willing to listen to what she has to say?”
“Start a family,” I muttered. “They’ve got a shock coming if that’s what they’re expecting.”
I fell head over heels (tail?) in love with the world and characters and subversive romance Tiana Warner created in Ice Massacre, and have been eagerly awaiting the sequel ever since. (1 year, 9 months, and 8 days, to be precise.) I had nearly given up when Ice Crypt hit my radar.
The story picks up a mere two weeks after the events in Ice Massacre. The crew of the Bloodhound has returned home to Eriana Kwai, battered and bloody and minus many girls – but triumphant, all things considered. (The men don’t typically come back at all.) With Lysi now King Adaro’s captive, Meela is hell-bent on finding the mysterious Host of Eriana. But, instead of turning it over to the power-hungry dictator, Meela plans to double-cross Adaro and maybe harness its power to destroy him? The plan’s pretty sketchy, seeing as she doesn’t know what the Host is or how to find it or whether it even exists.
And the Massacre Committee’s no help: in Meela’s month-long absence, her beloved mentor Anyo was ousted – in favor of Dani’s father Mujihi, no less. An abusive bully, it’s plain to see where Dani gets her mean streak. Rather than being jailed for her war crimes, Dani is made an instructor at the training camp. Now she yields power over a hundred girls instead of just twenty, and Dani (and her father) are loathe to give it up by ending the Massacres. Add the island’s speciesism towards the mermaids (“sea rats,” demons, vermin) and their skepticism of once-sacred creation myths to the mix, and the only ones interested in brokering a peace deal with the mermaids are Meela and her friends Tanuu, Annith, and Blacktail. But what match are four teenagers against the world – on land and in the sea?
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You need to read this book.
(Full disclosure: I received a free electronic ARC for review through NetGalley.)
[W]e are writing an epic wherein black lives carry worth, wherein black boys can walk to the store and buy candy without thinking they will die, wherein black girls can have a bad day and be mouthy without being physically assaulted by a police officer, wherein cops see twelve-year-old black boys playing with fake guns as silly kids and not homicidal maniacs, wherein black women can stop to ask for directions without being shot in the face by paranoid white homeowners. I burn, and I hope.
– Jesmyn Ward, Introduction
A friend recently told me that when she gave birth to her son, before naming him, before even nursing him, her first thought was, I have to get him out of this country.
– Claudia Rankine, “The Condition of Black Life Is One of Mourning”
Anthologies tend to be pretty hit or miss with me, but the eighteen pieces in The Fire This Time: A New Generation Speaks about Race are uniformly excellent. There wasn’t a single poem or essay that I didn’t love. I devoured the whole thing in most of an afternoon, and was left hungering for more.
Inspired by James Baldwin’s The Fire Next Time – “A Letter to My Nephew” in particular – Jesmyn Ward compiled a collection of essays on race by and for a new generation. The result is eclectic and surprising and just straight-up breathtaking.
I wasn’t sure what to expect – a more academic bent, perhaps? – but in this case, I think my preconceptions were a positive, because The Fire This Time upended them in the best way possible. Through a mix of poems, personal essays, letters, and creative nonfiction, the contributors explore a wide range of topics, both expected and not: the black immigrant experience; police brutality and the Black Lives Matter movement; walking while black; reassessing one’s long held identity in the wake of contemporary DNA testing; the legacy of slavery in New England; depression and loneliness as a consequence of cultural disconnectedness; constructing composite fathers; metafiction in hip hop; and “artistic rituals of labor,” from grandmamas to Outkast.
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A Concise and Compelling Introduction to Veganism and Intersectionality
(Full disclosure: Changemakers Books sent me a free book in exchange for an honest review. I also downloaded an electronic ARC through NetGalley.)
If, as the animal rights movement argues, there is no moral distinction between human and nonhuman animals—if animal rights are human rights—then it makes sense that we should be working for the liberation of all species.
In introducing the topic of intersectionality, pattrice [jones] asked the audience, “What is 6 times 7?” A few people yelled out, “42!” pattrice said, “OK, everybody imagine 42. Now, what is the 6 and what is the 7? You can’t say, can you? No, because the 42 is the product of the 6 and the 7 in interaction with one another.”
I think it’s safe to say that for most Black people in the United States, a polar bear on a melting ice floe is not the face of climate change—it’s Katrina.
“Compassion is a verb.”
Despite what 30+ years of PETA campaigns would have you believe, ethical veganism is not inherently incompatible with human rights. In fact, many of us vegans believe (passionately!) that the opposite is true, thanks to the concept of intersectionality.
First introduced by Kimberlé Crenshaw in 1989, intersectionality is the idea that different forms of oppression don’t exist in a vacuum, but rather interact with one another. For example, Crenshaw coined the term to explain the myriad ways that racism and sexism interact, thus acknowledging that the oppression experienced by black women (“misogynoir”) is unique from and arguably more complicated than that experienced by black men or white women. The concept has since expanded to include all marginalized groups: women; people of color; immigrants; LGBTQ folks; those living with a physical or mental disability; sex workers; religious minorities; children and the elderly; the impoverished; and nonhuman animals.
While the animal rights movement has been a little too slow (imho) to incorporate the idea of intersectionality into its activism (see, e.g., PETA’s many problematic campaigns, not to mention their vociferous defenders), more and more vegans are expanding their circle of compassion to include human animals. In his third book, A Vegan Ethic: Embracing a Life of Compassion Toward All, Mark Hawthorne makes a concise yet compelling case for intersectionality and inclusivity. His argument is actually quite simple: “If veganism is about doing your best to not harm any sentient life, we must logically extend that circle of compassion to human animals as well.” What more is there to say?
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Devastatingly Gorgeous Artwork & Intricate World-Building Make Monstress a Must-Read
To quote the poets…murder is terribly exhausting.
— 4.5 stars —
I pre-ordered Monstress based on the cover alone; and, the more I learned about it, the more excited I became. A steampunk fantasy set in turn-of-the-century Asia, featuring a diverse cast of mostly-female characters, written and illustrated by two women of color? Sign me up!
As it turns out, Monstress is everything I’d hoped for and then some. The story takes place in 1920s Asia, though you might not know it at first glance: this alternate ‘verse is so very different from our own. Humans are not the only – or even the first – sapients to walk the earth. (To borrow a term from The Long Way to a Small, Angry Planet.) We were preceded by Cats, the children of Ubasti: Multi-tailed, talking creatures, who can wield a weapon as easily as a sarcastic comeback. The immortal Ancients assumed the forms of beasts and, like their Greek cousins, enjoyed toying with humans. It is from such relationships that Arcanic halfbreeds were born: some are human in appearance, while most are not; yet all Arcanics possess great powers, powers which can be extracted from their very bones. Last but not least are the Old Gods, of which precious little is known. Some believe them to be monsters.
While humans and Arcanics coexisted in peace for generations, war broke out for reasons that aren’t entirely clear. An infernal bomb, which rained destruction down upon the city of Constantine, resulted in a stalemate. Now both races live on their respective sides of the wall. Yet the Cumaea – a powerful order of nun-witches that rules the human federation – is intent resurrecting the war and exterminating the Arcanics.
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Old Dogs Rock (and so do Nancy LeVine’s Portraits!)
(Full disclosure: Schiffer Publishing provided me a free copy of this book in exchange for an honest review.)
An old dog’s eyes, milky white, are not so much going blind as they are being clouded by memory: every stick, every ball, the squirrel that got away – they’re all there. Nothing is forgotten. The day she swam across the lake, or chewed your mouthguard into a million pieces. Remember when she was lost for two days, and came home soaking wet, muddy, and with a bird’s feather – blue and white – somehow lodged beneath her collar? She remembers. They all do. Every word, every walk, every time you RUBBED their neck. The memories spill into their eyes, and eventually all they can see is the past.
– Daniel Wallace
Anyone who’s ever opened their home and their heart to a dog is sure to love Senior Dogs Across America: Portraits of Man’s Best Old Friend. Award-winning photographer Nancy LeVine traveled across America, photographing senior dogs in their natural habitats: in forever homes and animal sanctuaries; lounging on couches, riding along with their humans in tractors, and playing with their siblings, human and non; aging with dignity and wisdom and grace.
The eighty-six portraits included here promise to tug at the heartstrings – and make you hug your canine companion just a little bit tighter tonight. The dogs featured run the gamut: there are big dogs and little dogs; pit bulls, dachshunds, greyhounds, Chihuahuas, and mutts; and several tripods, a few one-eyed dogs, and one very big German Shepherd on wheels (hey, Abby!). There are even two Otises, both chocolate Labs by the look of ’em, living just a state apart in Washington and California. LeVine lovingly captures the spirit and personality of each of her subjects; while the book is rather short on words, each picture sings and shines and speaks volumes, dancing off the printed page and right into the reader’s heart.
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